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EDUCATION
1998 University of Massachusetts Dartmouth, North Dartmouth, Massachusetts, Master of Fine Arts, Jewelry and Metalsmithing.
1993 Texas Tech University, Lubbock, Texas, Bachelor of Fine Arts, Jewelry and Metalsmithing.
MUSEUM COLLECTIONS
SMITHSONIAN INSTITUTION, Museum of American Art, Washington D.C.
MUNSON-WILLIAM-PROCTOR MUSEUM OF ART, Utica, New York.
SELECTED EXHIBITIONS
2011 TORCH SONG: A METALS INVITATIONAL EXHIBITION, Nazareth College Arts Center Gallery, Rochester, New York.
2010 EARRINGS GALORE, Heidi Lowe Gallery, Rehoboth Beach, Delaware.
2010 DESIGN TO SCALE, Everson Museum of Art, Syracuse University.
2010 STONE CANOE EXHIBITON, XL Projects Gallery, Syracuse, New York.
2010 FIVE WOMEN OF METAL, Heidi Lowe Gallery, Rehoboth Beach, Delaware.
2010 MATERIALS HARD & SOFT, Greater Denton Arts Council, Denton, Texas.
2009 MULTIPLES, Heidi Lowe Gallery, Rehoboth Beach, Delaware.
2009 THE ART OF FINE CRAFT,Elder Gallery, Nebraska Wesleyan University, Lincoln, Nebraska.
2008 THE PENDANT SHOW, Velvet da Vince Gallery, San Francisco, California.
2008 THE OBJECT & BEYOND: 2008 EVERSON BIENNIAL, Everson Museum, Syracuse, New York.
2008 61ST EXHIBITION OF CENTRAL NEW YORK ARTISTS, Munson-Williams-Proctor Museum of Art, Utica, New York.
2007 POLISHED: THREE DECADES OF METAL, UNT artspace FW, Fort Worth, Texas.
2006 INVESTIGATING SPACE: POSITIVE NEGATIVE/ILLUSION AND TROMPE L’OEIL, Aaron Faber Gallery, New York, New York.
2005 MADE IN AMERICA: METALS ARTS INVITATIONAL EXHIBITION, Bevier Gallery, Rochester Institute of Technology, Rochester, New York.
2005 SAUL BELL DESIGN AWARD EXHIBITION, JCK Show, Las Vegas, Nevada. Finalist, silver category.
2005 MATERIALS: HARD & SOFT EXHIBITION, Center for the Visual Arts, Denton, Texas.
2005 100 BROOCHES, Traveling exhibition: Velvet da Vinci Gallery, San Francisco, California.; East Carolina University School of Art and Design; Bellagio Gallery, Ashville, North Carolina; Pacini Lubel Gallery, Seattle, WA.
2003 JEWELS & GEMS, Renwick Gallery, Smithsonian Art Museum, Smithsonian Institution, Washington D.C.
2003 CHARMED LIVES: NARRATIVES OF PERSONAL WISDOM, curated by Gail Brown, Facere Art Jewelry Gallery, Seattle, Washington.
2003 CRAFTS TRANSFORMED, curated by Gail Brown, U Mass Dartmouth Gallery, New Bedford, Massachusetts.
2003 bigLITTLE: JEWELERS & SCULPTORS MAKING IT IN METAL, Crafts Cultural Arts Gallery, Oakland, CA.
2003 THE BRACELET, Sofa NYC and Yaw Gallery, Birmingham, Michigan.
2003 MODERN MEDIUM: CONTEMPORARY ART IN NEW YORK STATE, Fenimore Art Museum, Cooperstown, New York.
2003 25th ANNUAL CONTEMPORARY CRAFTS, Mesa Arts Center, Mesa. Arizona.
2002 LA PETITE X - Alder Gallery, Coburg, Oregon.
1999 TALISMANS FOR THE COMING MILLENNIUM, Emerson Art Gallery, St. Louis, Missouri.
1998 TOYS & GADGETS, Society of Arts and Crafts, Boston, Massachusetts.
1997 TRANSFIGURATIONS: NINE CONTEMPORARY METALSMITHS, Emily Davis Gallery, University of Akron, Akron, Ohio. Traveling exhibit in 1998.
1997 METALS, ETC. NATIONAL JEWELRY & METALS COMPETITION, Lubbock Fine Arts Center, Lubbock, Texas.
1996 CRAFTS NATIONAL 30, Zoller Gallery, The Pennsylvania State University, University Park, Pennsylvania.
1995 INVITATIONAL EXHIBITION, Pritam & Eames, East Hampton, New York.
1992 ANTICIPATION ‘92, Chicago International New Art Forms Exhibition, Navy Pier, Chicago, Illinois.
SELECTED PUBLICATIONS
METALSMITH MAGAZINE 2010 EXHIBITION IN PRINT, curator, Garth Clark, soon to be published.
NEW RINGS, Nicholas Estrada, soon to be published.
PEWTER STUDIO, Lisa Slovis Mandel, 2010, page 122.
STONE CANOE: A JOURNAL OF ARTS AND IDEAS FROM UPSTATE NEW YORK, Number 4, editor, Robert Colley, 2010, pages 280, 281.
500 PENDANTS & LOCKETS, editor, Marthe Le Van, 2008, pages 140, 260, 288.
THE ART AND CRAFT OF MAKING JEWELRY, Joanna Gollburg, 2006, pages 22, 37, 65.
500 BRACELETS, editor, Marthe Le Van, 2005, page 197.
THE PENLAND BOOK OF JEWELRY, editor, Marthe Le Van, 2005, pages 140, 142.
500 BROOCHES, editor, Marthe Le Van, 2005, page 139.
METALSMITH MAGAZINE, Society of North American Goldsmiths, Summer 2001, Volume 21 Number 3, pages 14,15.
THE METALSMITH’S BOOK OF BOXES AND LOCKETS, Tim McCreight, 1999, pages 52, 63, 73, 98, 115.
METALSMITH MAGAZINE, Society of North American Goldsmiths, Fall 1999, Volume 19 Number 5, page 44.
AMERICAN CRAFT, American Craft Council, October/November 1996, page 88.
SELECTED PROFESSIONAL EXPERIENCE
2010 Promotion to Full Professor, Metal Arts, PrattMWP, Utica, New York.
2007 Lecturer, Adornment as Art, Munson-WIlliams-Proctor Museum of Art, Utica, New York.
2005 Instructor, workshop on mechanisms, Peter’s Valley, Layton, New Jersey.
2004 Promotion to Associate Professor, Metal Arts, Pratt at Munson-Williams-Proctor Arts Institute, Utica, New York.
2003 Visiting Artist Lecturer, Buffalo State College, Buffalo, New York.
2002 Coordinator and Co-Juror, MATERIAL EXPLORATIONS, Munson-Williams-Proctor Arts Institute, Utica, New York.
2002 Juror, FINE CRAFTS: ANCIENT PRACTICE, NEW VISION, Munson-Williams-Proctor Arts Institute, Utica, NY.
2002 Visiting Artist, die forming workshop and public lecture, Syracuse University, Syracuse, New York.
1999 - Visiting Artist Lecturer, Texas Tech University, Lubbock, Texas.
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